The Throne of Glass series has been one of my favorites since I started this blog. When I hit a wall with new reading over the summer, I decided to return to the series in order to re-read up to the final book, Kingdom of Ash, which I still haven’t read.
The first three books still held up. I devoured them and remembered why I loved this series so much. The characters were clearly defined, their motivations fairly well communicated, and you’re just waiting for the giant, terrible forces to be revealed so Celaena, Chaol, and Dorian can rip them apart. Even the reveal of the witch clans in book 3 was exciting and a welcome addition to the universe and the tension.
In book 4 Celaena/Aelin is returning to Rifthold to recover the Amulet of Orynth from her former assassin master and discover what has happened while she was in Wendlyn training and gaining entrance to Doranelle, where her aunt, the Fae Queen Maeve lived, so she could interrogate her about the Wyrdgates and Wyrdkeys. Almost immediately this book takes a hard left turn and never really recovers.
You can read my original review to get a sense of where my confusion lies with this part of the story, but the general gist is that the characters went from mature people who worked together and understood each other’s actions even when they were less than savory as long as they advanced the goal – to a bunch of whiny babies who stick out their tongues and stomp their feet when they don’t get their ways.
Chaol talks to Celaena like she chose to go to Wendlyn and train with a Fae prince. Did he forget that he sent her there? Did he forget that she had magic and was part Fae and needed guidance for that power so it wasn’t out of control? He sent her there because he couldn’t stand to lose the woman that he loved. He blames her for being away when Dorian got taken. He blames her for the increase in shadow soldier movements. He is mad that she ‘made such a show’ of her power in Wendlyn that it caused the king to increase his creepy plans. She wasn’t gone that long, and yet he has ZERO feelings for her at the start of this book.
But he’s not alone in this. Celaena knows how the black collars work, she fought things like it in Wendlyn. So why is she screaming at Chaol about how he left Dorian there alone? Didn’t she just finish training with the Fae to learn tactics and skills? She’s been an assassin for like 8 years, she knows the value in living to fight another day. Even the simplest mind can understand that if Chaol had stayed instead of escaping, he would be dead now and Dorian would have been well and truly alone with no one to say what happened to him and to recruit people to try to free him.
The childish bullshit between the two of them makes absolutely no sense when combined with the first 3 books. It makes no sense when you consider that all of them know that their problems are bigger than all of them and that they need to bring all their knowledge together to face them. All the maturity is gone, the drive and intensity towards a common goal is gone, and to be honest, it almost feels like Maas was trying to fresh-start her series in this book and I do not like it.
To further confuse the matter are a cadre of additional characters that we don’t need, but apparently we do because Maas is setting us up for all the LOVE STORIES we have to have moving forward. Also we have to learn about the “territorial Fae bullshit” because now her cousin Aedion is with them, and her Fae trainer Rowan comes to town too, and they decide to posture over her like two animals fighting over who gets to mate with the female.
I was curious about something, and so I looked up a couple of the books in her other series, A Court of Thorns and Roses, which is exclusively about the Fae, how a human comes to be a part of that world, and is basically a trilogy of YA softcore porn. I was wondering how working on that series might have affected Throne of Glass, and whether they were coming about at the same time.
In fact, both Queen of Shadows and A Court of Thorns and Roses were published in 2015. Empire of Storms and A Court of Mist and Fury were published in 2016, and Tower of Dawn and A Court of Wings and Ruin were done in 2017.
Seeing “Fae bullshit” leaking into the Throne of Glass series is not surprising when you see this timeline. Queen of Shadows is also when Maas begins to make the books longer, with more exposition and repetitiveness: We see Celaena/Aelin referred to as “my queen/queen” in almost every paragraph, and once Rowan shows up we start to see the “male/female” animalistic language starting too. The softcore nature of ACOTAR begins to leak into ToG too, with all the Rowan/Aelin teasing in the second half of the book. All you are forced to focus on is how hard they want to do each other instead of their planning to free Dorian and find the Wyrdkeys.
The ACOTAR series was a feminist, romance trilogy (whose third book is an absolute disaster and an embarrassment to the first two books), so you would expect a lot of sex, relationships, and overdramatic actions. Throne of Glass was supposed to be a sweeping fantasy series – good versus evil, a queen regaining her kingdom through any means necessary and beating back an ancient force threatening to conquer all worlds. That’s what I signed up for, and I can see how in Queen of Shadows it took a turn away from that in favor of the Fae sexiness, and it isn’t a good look.
Something happened to Sarah J. Maas in 2015 (or before, I know how long it takes to write a book) that changed her style of writing and her focus. I’m sure if I cared more I could research it and find out what it was, but this obsession with Fae culture, with the sexual relationships in that culture, with the idea of eternally bonded mates and immature friendships, sticking out tongues and the stomping of feet, the petulance…I don’t know but something changed and it wasn’t for the better.
On to the next one.