Truthwitch (Witchlands #1)

Synopsis (Goodreads)

I don’t usually link to a synopsis, but I want to take my review time to talk to you about more intricate pieces of this book as opposed to “this happened! and then this happened!” because SO MUCH HAPPENS and I don’t want to get caught up in WHAT happens, I want to talk about FEELINGS caused by what happens.

I stand by my previous assessment of Dennard’s worldbuilding and character development. It is absolutely amazing that there is so much going on in the story and yet I remember all the characters, what they want, what they care about, AND I’m able to see how all of their separate stories are woven together into the larger plot. Windwitch focuses in primarily on Merik and his sister Vivia in their defense of their country Nubrevna, but both Safi’s and Iseult’s stories feed into the future of Nubrevna while letting us know that in the next books we’ll be taking the story in other directions.

You will learn more about what Iseult’s powers are all about in this book. It’s possible that she’s not a Threadwitch at all, but a Weaverwitch, a more advanced Threadwitch who can manipulate the threads and magic of other witches. Aeduan, the Bloodwitch hunting Iseult, is now working with her and believes she may be a true Voidwitch as well as one half of the mythical Cahr Awen. I find her situation compelling, but every time we get a small glimpse of what she’s really capable of, I wonder back to Safi. Is she only a Truthwitch? If she’s the other half of the Cahr Awen, destined to reawaken the Origin Wells and heal the land, what more is there that we need to learn about her magic that might be more than we think?

Dennard asks us to consider the sentiment of all for one, one for all in many different parts of our journey. Is it ever appropriate to sacrifice one person for the sake of all? Or can a single person be important enough to save at the expense of the suffering of many? Honestly Windwitch seems to show us that both are possible, that making the decision is next to impossible, and there are always consequences that you will have to live with either way. I am glad that the constant guilt machine I briefly bemoaned in my Truthwitch review seems to have ground to a halt here in Windwitch.

The way that Windwitch illustrates so many different kinds of relationships is also thoughtfully done. Parents and children, brother and sister, friendships, life-debts – all of these are played out so we can see that nothing is as simple as we think, and everything is connected. All witcheries, all people in this universe have threads that Threadwitches can see. Threads that bind, threads that break, threads that show all manner of emotion. It only makes sense that we should see how the characters that we care so much about might be working to bind themselves to one another to face an even greater foe that we have not yet even been introduced to. I can’t wait to find out what that will be.

I have preordered Bloodwitch, out in February 2019, and I caught the novella Sightwitch on a Kindle deal this past weekend. I’m into this series, and I think you should be too. Try it out and see what you think.

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Susan Dennard is one of the most amazing writers I have had the ability to follow and interact with on Twitter. Her newsletter (which I need to subscribe to this year) provides publishing and writing advice to the community and her online persona is warm and helpful. She’s the kind of person who, when people fuck with her, I want to queue up to avenge her.

I’m not sure why it took me so long to begin reading her Witchlands series, but with the third full installment of the series releasing in February, I figured I would try them out.

Truthwitch is a book that is a masterclass in character development and investment. It took exactly one paragraph for me to ride or die for Safi and Iseult, the Threadsisters and witches that are troublemakers that can’t help but step in it, but when they do they are always there to support each other and get out of whatever trouble they are in together.

It would have been so easy for Dennard to have given me long chapters about how this universe works – the myriad of witch types and the powers they wield are vast and far-reaching – as well as the politics of the different regions – they are reaching an end to a 20 year worldwide truce that has several long-reaching consequences across all lands – BUT SHE DOESN’T. And its absence is almost as magical as her storytelling.

We are exposed to the aspects of the Witchlands universe as our characters interact with them. Witches can cleave, which is basically their magic being overused and turning them into elemental bombs, but we don’t get a long explanation about how that happens, we see Safi and Iseult (and Merik, the prince from the water region) encountering a cleaved Tidewitch right at the start. We’re immediately exposed to this danger, we learn how it is typically dealt with, and we get a foreshadowing about Iseult in the process.

I think this is YA(?) but it has one of the major strengths that I love in a well written YA, which is that you forget how old the characters are. It’s part of what makes all of Leigh Bardugo’s work so genius – the kids are all 16 and 17 but you forget and the story is so epic that you read it as though you’re reading about adults.

You never get kicked out of the action, the forward motion of the story, in order to learn things. Right from the first chapter you will care about the characters, and the claws which Dennard will have sunk into you will pull you through the story at a breakneck pace; you will be sad to ever have to put it down to eat, work, or sleep.

I have very few critiques for this one. I felt like a LOT was thrown into the first book, almost too much for me to keep track of and I had so many questions about the world that a little bit of exposition wouldn’t have hurt things too much. I am hopeful that the sequel, Windwitch, will stretch things out a bit to give depth to the breadth of Truthwitch.

The romantic moments between Safi and Merik will seem eerily familiar if you enjoyed the A Court of Thorns and Roses trilogy by Sarah J. Maas. The acknowledgements show that Dennard and Maas are very good friends, with Maas reading and commenting on the work in progress. Another echoing theme from Maas’ books here in Dennard’s Truthwitch is the “everything is my fault, I feel so much guilt because if I’d only never been born…” kind of stuff. It’s not there a lot, but when it was I rolled my eyes and just kept reading.  I’m fine with this as long as the future books don’t involve the word mate in reference to a partner or feasting in reference to oral pleasuring.

If you love fantasy, magic, mystical creatures, surprises, intrigue, and a little romance, then Truthwitch is a book you should pick up right away.

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